Trump was furious at Colbert’s mocking and publicly called for CBS to cancel him (or “put him to sleep NOW” as Trump wrote in one social media post). At the same time, CBS’s parent company, Paramount, was on the verge of a lucrative merger deal that Trump could interfere with.
Paramount had already sucked up to Trump by offering him $16 million to settle a lawsuit he brought against CBS News’s “60 Minutes,” although he had almost no chance of prevailing in court.
In a monologue, Colbert called the settlement a “big fat bribe,” which it was. Days later he got word he’d been canceled. About a week after that, the deal was approved.
***
Before Colbert started at CBS, he hosted Comedy Central’s “The Colbert Report,” where he played a right-wing, blowhard, curmudgeonly TV host.
I was often a guest, presumably because I was a good foil for the blowhard Colbert was acting. (I’ve also been a guest on his “The Late Show.”)
The first time I came to do “The Colbert Report,” I was nervous. I didn’t know how to respond to someone who’d be acting as a conservative asshole but wasn’t one in real life.
I was sitting alone in the greenroom when Colbert popped in. He introduced himself, sat down, and then, smiling, said, “Just wanted to warn you that I play a real jerk out there.”
“Oh, I know,” I said. “I’ve watched the show.”
“Good. Don’t argue with me. Just play along,” he counseled.
“I’ll try not to argue,” I said. “But I go on so many of these combative shows that I may automatically start arguing.”
Colbert laughed. “That’s fine. Just let me do the heavy lifting. I’ll be so obnoxious that viewers will see the wisdom in your argument!”
“Sounds good,” I said, still nervous.
“Just have fun!” Colbert advised, before vanishing to his set.
Here’s one of our discussions:
Colbert was anything but a right-wing jerk. In fact, as I’ve come to know him over the years, he’s remarkably self-effacing and wicked smart. He’s progressive in his politics, of course, but never dogmatic. Even when he skewers Trump on his “The Late Show,” he does it with gentle humor and no trace of anger or bitterness.
I’ve done many thousands of interviews over my adult life. Some interviewers, like the late Bill Moyers, have been so thoughtful and well-prepared that I’ve barely had to think; I just fall into a natural conversation with them. Others are so stilted or slick that they hardly listen to what I say, and the interview has the tortuous feel of gears grinding from one topic to another.
Colbert is like Moyers in being well-prepared and listening intently. But he adds a rapid-fire wit that can make a serious point while putting an audience in stitches.
When Colbert interviewed me last August about my latest book, CBS had just announced that his contract wouldn’t be renewed and that by late May the show would be off the air for good.
A stagehand met me at the side door to the old Ed Sullivan Theater. As he led me to the greenroom, I asked him how everyone there was taking the news.
“Not well,” he said. After a pause he said, “We’re like a family here.”
Some time later, Stephen came by the greenroom. I asked him how he was doing. “Oh, I’m fine,” he said. “I’ll find something else to do. But there are about a hundred people here who will be out of jobs, and frankly I’m worried about them.”
They are like a family — Stephen Colbert, his executive producer, the segment producers and directors, showrunners, writers, cameramen, gaffers, grips, lighters, stagehands, custodians, musicians. Stephen has treated them like a family. His respect and concern for them is unusual in the business but consistent with the courtesy and kindness I discovered the first time I met him.